登陆注册
34549900000031

第31章 THE MOTHER DECIDES THE SEX OF THE EGG.(4)

The Osmia, as we see, is very frugal of the lodging that has fallen to her share; she makes the best possible use of it, giving to the females the spacious chambers of the Mason-bee and to the males the narrow vestibules, subdivided into storeys when this is feasible.

Economy of space is the chief consideration, since her stay-at-home tastes do not allow her to indulge in distant quests. She has to employ the site which chance places at her disposal just as it is, now for a male and now for a female. Here we see displayed, more clearly than ever, her power of deciding the *** of the egg, in order to adapt it judiciously to the conditions of the house-room available.

I had offered at the same time to the Osmiae in my study some old nests of the Mason-bee of the Shrubs, which are clay spheroids with cylindrical cavities in them. These cavities are formed, as in the old nests of the Mason-bee of the Pebbles, of the cell properly so-called and of the exit-way which the perfect insect cut through the outer coating at the time of its deliverance. Their diameter is about seven millimetres (.273 inch.--Translator's Note.); their depth at the centre of the heap is 23 millimetres (.897 inch.--Translator's Note.); and at the edge averages 14 millimetres (.546 inch.--Translator's Note.)

The deep central cells receive only the females of the Osmia;sometimes even the two ***es together, with a partition in the middle, the female occupying the lower and the male the upper storey.

True, in such cases economy of space is strained to the utmost, the apartments provided by the Mason-bee of the Shrubs being very small as it is, despite their entrance-halls. Lastly, the deeper cavities on the circumference are allotted to females and the shallower to males.

I will add that a single mother peoples each nest and also that she proceeds from cell to cell without troubling to ascertain the depth.

She goes from the centre to the edges, from the edges to the centre, from a deep cavity to a shallow cavity and vice versa, which she would not do if the ***es were to follow upon each other in a settled order. For greater certainty, I numbered the cells of one nest as each of them was closed. On opening them later, I was able to see that the ***es were not subjected to a chronological arrangement.

Females were succeeded by males and these by females without its being possible for me to make out any regular sequence. Only--and this is the essential point--the deep cavities were allotted to the females and the shallow ones to the males.

We know that the Three-horned Osmia prefers to haunt the habitations of the Bees who nidify in populous colonies, such as the Mason-bee of the Sheds and the Hairy-footed Anthophora. Exercising the very greatest care, I broke up some great lumps of earth removed from the banks inhabited by the Anthophora and sent to me from Carpentras by my dear friend and pupil M. Devillario. I examined them conscientiously in the quiet of my study. I found the Osmia's cocoons arranged in short series, in very irregular passages, the original work of which is due to the Anthophora. Touched up afterwards, made larger or smaller, lengthened or shortened, intersected with a network of crossings by the numerous generations that had succeeded one another in the same city, they formed an inextricable labyrinth.

Sometimes these corridors did not communicate with any adjoining apartment; sometimes they gave access to the spacious chamber of the Anthophora, which could be recognized, in spite of its age, by its oval shape and its coating of glazed stucco. In the latter case, the bottom cell, which once constituted, by itself, the chamber of the Anthophora, was always occupied by a female Osmia. Beyond it, in the narrow corridor, a male was lodged, not seldom two, or even three. Of course, clay partitions, the work of the Osmia, separated the different inhabitants, each of whom had his own storey, his own closed cell.

When the accommodation consisted of no more than a ****** cylinder, with no state-bedroom at the end of it--a bedroom always reserved for a female--the contents varied with the diameter of the cylinder. The series, of which the longest were series of four, included, with a wider diameter, first one or two females, then one or two males. It also happened, though rarely, that the series was reversed, that is to say, it began with males and ended with females. Lastly, there were a good many isolated cocoons, of one *** or the other. When the cocoon was alone and occupied the Anthophora's cell, it invariably belonged to a female.

I have observed the same thing in the nests of the Mason-bee of the Sheds, but not so easily. The series are shorter here, because the Mason-bee does not bore galleries but builds cell upon cell. The work of the whole swarm thus forms a stratum of cells that grows thicker from year to year. The corridors occupied by the Osmia are the holes which the Mason-bee dug in order to reach daylight from the deep layers. In these short series, both ***es are usually present; and, if the Mason-bee's chamber is at the end of the passage, it is inhabited by a female Osmia.

We come back to what the short tubes and the old nests of the Mason-bee of the Pebbles have already taught us. The Osmia who, in tubes of sufficient length, divides her whole laying into a continuous sequence of females and a continuous sequence of males, now breaks it up into short series in which both ***es are present. She adapts her sectional layings to the exigencies of a chance lodging; she always places a female in the sumptuous chamber which the Mason-bee or the Anthophora occupied originally.

Facts even more striking are supplied by the old nests of the Masked Anthophora (A. personata, ILLIG.), old nests which I have seen utilized by the Horned Osmia and the Three-horned Osmia at the same time. Less frequently, the same nests serve for Latreille's Osmia.

Let us first describe the Masked Anthophora's nests.

同类推荐
  • 战略

    战略

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 瑜伽师地论略纂

    瑜伽师地论略纂

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 大使咒法经

    大使咒法经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 诗义固说

    诗义固说

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 西方要决释疑通规

    西方要决释疑通规

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 玫瑰与号角

    玫瑰与号角

    巫师与魔法师的纠葛,巨龙与神灵的过往,教廷与帝国的合作,这里没有冰与火的对抗,只有玫瑰与号角的传说。
  • 千千结:女帝

    千千结:女帝

    是你将我来到这个宫里,不要离开....你要天下我都可以给你,就是不要离开........
  • 星际超凡物语

    星际超凡物语

    带着外挂穿越到原始世界的林落原本以为他要走的是发育种田流,直到那一天,万里晴空上光影闪烁,伴随着轰隆隆的巨响,战舰残骸拖着长长的尾焰坠向地面。–简介无力(。?`ω??)
  • 成都人

    成都人

    成都人的生活环境造就了成都人的性格:有较强的封闭意识,容易自命不凡;又渴望了解外界,十分关心家事国事天下事。渴望了解和沟通是人类的共性,在成都人关注外界的同时,外界也在关注着成都和成都人。于是,地地道道的成都人林文询先生写了这本《成都人》,这本“印象派画家”写着“玩”的书,会带你感受成都人的闲适、成都人的自尊,成都人的夜生活……让你真切的体会到老谋子的那句话:“成都,一座来了就不想离开的城市。”
  • 周朝秘史

    周朝秘史

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 风花舞之幻灵镜

    风花舞之幻灵镜

    沫殇,神的宠儿,是天界的七公主殿下。她坠入人间,变成了那个虽然活泼但是患有脑癌的女孩---风涧夜沫,而他,越前龙马,风涧夜沫生命尾部最璀璨的流星,虽然只是消逝而过,却告诉了夜沫幸福的定义。幸福……我想,幸福应该就是一种简简单单的快乐吧我想,幸福总是会在不经意的时候来临。
  • 神梦书

    神梦书

    善恶之由表,死生之兆章,达则幽明斯契,否则楼宇倾塌。自武帝以来,国崩而制立,教兴而会灭。吾观七洲之众,贵则喧,贫则弱,喜海蜃之变化,厌五行之本根。朝明晦暗,四海皆敌。前有十字炬焚土,后有朔剑引江渚,民声哀悼,义者将现。
  • 逆光词曲

    逆光词曲

    一个歌手,一个记者,一次意外;两个彼此相忘的人,再次相遇,重新拾起曾经的爱情。相比我之前的两部小说《陌然一顾》,《90流沙易逝》,这个故事会更特别。感谢一直以来支持我的读者!如果不是你们可能我不会有写下去的动力和勇气所以,非常爱你们!
  • 女配进化论:小白花太妖娆

    女配进化论:小白花太妖娆

    千洛荫总结出来的女配定律:装的了小白花,流的了眼泪,还能偶尔调戏调戏男主!像她这种以靠任务吃饭的人不多了。可千万不能被女主吓到,想PK嘛?那来呀!“我不相信我会搞不定几个小小的女主!!等着我抢了你的位,拿了你的人,看你还能得意多久!趁早让我对你没兴趣吧!”系统也无奈,它只是一个小小的系统,还没见过世面呢……但就喜欢看千洛荫装纯的日子!
  • 你是此生最美的风景

    你是此生最美的风景

    一个是才华横溢的大天才青年画家,一个是拥有惊人品鉴天赋的孤女。她和他邂逅于一场游戏,却开启了一段不一样的爱情风景。沈小兔一直想忘记过去,为让自己幸福,把自己塑造成一个一无是处的小白胖妞。她只想守着自己的伤过完这残余的人生,忘记自己始终只剩一个人。慕新砚一直只活在自己臆想的孤城里,肆意地挥霍着,游戏着活下去,让自己不去动画笔,忘记自己身为候选继承人的职责。你是此生最美的风景,让我心碎却如此着迷,就算世界动荡,再绝望也有微笑的勇气。你是此生最美的风景,才令我至今一再想起,这样爱过一个人,是多幸福的事情。