"Yes," said Don Quixote, "for if thou dost return soon from the place where I mean to send thee, my penance will be soon over, and my glory will soon begin. But as it is not right to keep thee any longer in suspense, waiting to see what comes of my words, I would have thee know, Sancho, that the famous Amadis of Gaul was one of the most perfect knights-errant- I am wrong to say he was one; he stood alone, the first, the only one, the lord of all that were in the world in his time. A fig for Don Belianis, and for all who say he equalled him in any respect, for, my oath upon it, they are deceiving themselves! I say, too, that when a painter desires to become famous in his art he endeavours to copy the originals of the rarest painters that he knows; and the same rule holds good for all the most important crafts and callings that serve to adorn a state; thus must he who would be esteemed prudent and patient imitate Ulysses, in whose person and labours Homer presents to us a lively picture of prudence and patience; as Virgil, too, shows us in the person of AEneas the virtue of a pious son and the sagacity of a brave and skilful captain; not representing or describing them as they were, but as they ought to be, so as to leave the example of their virtues to posterity. In the same way Amadis was the polestar, day-star, sun of valiant and devoted knights, whom all we who fight under the banner of love and chivalry are bound to imitate. This, then, being so, I consider, friend Sancho, that the knight-errant who shall imitate him most closely will come nearest to reaching the perfection of chivalry. Now one of the instances in which this knight most conspicuously showed his prudence, worth, valour, endurance, fortitude, and love, was when he withdrew, rejected by the Lady Oriana, to do penance upon the Pena Pobre, changing his name into that of Beltenebros, a name assuredly significant and appropriate to the life which he had voluntarily adopted. So, as it is easier for me to imitate him in this than in cleaving giants asunder, cutting off serpents' heads, slaying dragons, routing armies, destroying fleets, and breaking enchantments, and as this place is so well suited for a similar purpose, I must not allow the opportunity to escape which now so conveniently offers me its forelock."
"What is it in reality," said Sancho, "that your worship means to do in such an out-of-the-way place as this?"
"Have I not told thee," answered Don Quixote, "that I mean to imitate Amadis here, playing the victim of despair, the madman, the maniac, so as at the same time to imitate the valiant Don Roland, when at the fountain he had evidence of the fair Angelica having disgraced herself with Medoro and through grief thereat went mad, and plucked up trees, troubled the waters of the clear springs, slew destroyed flocks, burned down huts, levelled houses, dragged mares after him, and perpetrated a hundred thousand other outrages worthy of everlasting renown and record? And though I have no intention of imitating Roland, or Orlando, or Rotolando (for he went by all these names), step by step in all the mad things he did, said, and thought, I will make a rough copy to the best of my power of all that seems to me most essential; but perhaps I shall content myself with the ****** imitation of Amadis, who without giving way to any mischievous madness but merely to tears and sorrow, gained as much fame as the most famous."
"It seems to me," said Sancho, "that the knights who behaved in this way had provocation and cause for those follies and penances; but what cause has your worship for going mad? What lady has rejected you, or what evidence have you found to prove that the lady Dulcinea del Toboso has been trifling with Moor or Christian?"
"There is the point," replied Don Quixote, "and that is the beauty of this business of mine; no thanks to a knight-errant for going mad when he has cause; the thing is to turn crazy without any provocation, and let my lady know, if I do this in the dry, what I would do in the moist; moreover I have abundant cause in the long separation I have endured from my lady till death, Dulcinea del Toboso; for as thou didst hear that shepherd Ambrosio say the other day, in absence all ills are felt and feared; and so, friend Sancho, waste no time in advising me against so rare, so happy, and so unheard-of an imitation; mad I am, and mad I must be until thou returnest with the answer to a letter that I mean to send by thee to my lady Dulcinea; and if it be such as my constancy deserves, my insanity and penance will come to an end; and if it be to the opposite effect, I shall become mad in earnest, and, being so, I shall suffer no more; thus in whatever way she may answer I shall escape from the struggle and affliction in which thou wilt leave me, enjoying in my senses the boon thou bearest me, or as a madman not feeling the evil thou bringest me.
But tell me, Sancho, hast thou got Mambrino's helmet safe? for I saw thee take it up from the ground when that ungrateful wretch tried to break it in pieces but could not, by which the fineness of its temper may be seen."
To which Sancho made answer, "By the living God, Sir Knight of the Rueful Countenance, I cannot endure or bear with patience some of the things that your worship says; and from them I begin to suspect that all you tell me about chivalry, and winning kingdoms and empires, and giving islands, and bestowing other rewards and dignities after the custom of knights-errant, must be all made up of wind and lies, and all pigments or figments, or whatever we may call them; for what would anyone think that heard your worship calling a barber's basin Mambrino's helmet without ever seeing the mistake all this time, but that one who says and maintains such things must have his brains addled? I have the basin in my sack all dinted, and I am taking it home to have it mended, to trim my beard in it, if, by God's grace, I am allowed to see my wife and children some day or other."
