RETURNING to the proceedings of him of the Rueful Countenance when he found himself alone, the history says that when Don Quixote had completed the performance of the somersaults or capers, naked from the waist down and clothed from the waist up, and saw that Sancho had gone off without waiting to see any more crazy feats, he climbed up to the top of a high rock, and there set himself to consider what he had several times before considered without ever coming to any conclusion on the point, namely whether it would be better and more to his purpose to imitate the outrageous madness of Roland, or the melancholy madness of Amadis; and communing with himself he said:
"What wonder is it if Roland was so good a knight and so valiant as everyone says he was, when, after all, he was enchanted, and nobody could kill him save by thrusting a corking pin into the sole of his foot, and he always wore shoes with seven iron soles? Though cunning devices did not avail him against Bernardo del Carpio, who knew all about them, and strangled him in his arms at Roncesvalles. But putting the question of his valour aside, let us come to his losing his wits, for certain it is that he did lose them in consequence of the proofs he discovered at the fountain, and the intelligence the shepherd gave him of Angelica having slept more than two siestas with Medoro, a little curly-headed Moor, and page to Agramante. If he was persuaded that this was true, and that his lady had wronged him, it is no wonder that he should have gone mad; but I, how am I to imitate him in his madness, unless I can imitate him in the cause of it? For my Dulcinea, I will venture to swear, never saw a Moor in her life, as he is, in his proper costume, and she is this day as the mother that bore her, and I should plainly be doing her a wrong if, fancying anything else, I were to go mad with the same kind of madness as Roland the Furious. On the other hand, I see that Amadis of Gaul, without losing his senses and without doing anything mad, acquired as a lover as much fame as the most famous; for, according to his history, on finding himself rejected by his lady Oriana, who had ordered him not to appear in her presence until it should be her pleasure, all he did was to retire to the Pena Pobre in company with a hermit, and there he took his fill of weeping until Heaven sent him relief in the midst of his great grief and need. And if this be true, as it is, why should I now take the trouble to strip stark naked, or do mischief to these trees which have done me no harm, or why am I to disturb the clear waters of these brooks which will give me to drink whenever I have a mind? Long live the memory of Amadis and let him be imitated so far as is possible by Don Quixote of La Mancha, of whom it will be said, as was said of the other, that if he did not achieve great things, he died in attempting them; and if I am not repulsed or rejected by my Dulcinea, it is enough for me, as I have said, to be absent from her. And so, now to business; come to my memory ye deeds of Amadis, and show me how I am to begin to imitate you. I know already that what he chiefly did was to pray and commend himself to God; but what am I to do for a rosary, for I have not got one?"
And then it occurred to him how he might make one, and that was by tearing a great strip off the tail of his shirt which hung down, and ****** eleven knots on it, one bigger than the rest, and this served him for a rosary all the time he was there, during which he repeated countless ave-marias. But what distressed him greatly was not having another hermit there to confess him and receive consolation from; and so he solaced himself with pacing up and down the little meadow, and writing and carving on the bark of the trees and on the fine sand a multitude of verses all in harmony with his sadness, and some in praise of Dulcinea; but, when he was found there afterwards, the only ones completely legible that could be discovered were those that follow here:
Ye on the mountain side that grow, Ye green things all, trees, shrubs, and bushes, Are ye aweary of the woe That this poor aching bosom crushes?
If it disturb you, and I owe Some reparation, it may be a Defence for me to let you know Don Quixote's tears are on the flow, And all for distant Dulcinea Del Toboso.
The lealest lover time can show, Doomed for a lady-love to languish, Among these solitudes doth go, A prey to every kind of anguish.
Why Love should like a spiteful foe Thus use him, he hath no idea, But hogsheads full- this doth he know-Don Quixote's tears are on the flow, And all for distant Dulcinea Del Toboso.
Adventure-seeking doth he go Up rugged heights, down rocky valleys, But hill or dale, or high or low, Mishap attendeth all his sallies:
Love still pursues him to and fro, And plies his cruel scourge- ah me! a Relentless fate, an endless woe;
Don Quixote's tears are on the flow, And all for distant Dulcinea Del Toboso.
The addition of "Del Toboso" to Dulcinea's name gave rise to no little laughter among those who found the above lines, for they suspected Don Quixote must have fancied that unless he added "del Toboso" when he introduced the name of Dulcinea the verse would be unintelligible; which was indeed the fact, as he himself afterwards admitted. He wrote many more, but, as has been said, these three verses were all that could be plainly and perfectly deciphered. In this way, and in sighing and calling on the fauns and satyrs of the woods and the nymphs of the streams, and Echo, moist and mournful, to answer, console, and hear him, as well as in looking for herbs to sustain him, he passed his time until Sancho's return; and had that been delayed three weeks, as it was three days, the Knight of the Rueful Countenance would have worn such an altered countenance that the mother that bore him would not have known him: and here it will be well to leave him, wrapped up in sighs and verses, to relate how Sancho Panza fared on his mission.
