The lines seemed pearls to me and his voice sweet as syrup; and afterwards, I may say ever since then, looking at the misfortune into which I have fallen, I have thought that poets, as Plato advised, ought to he banished from all well-ordered States; at least the amatory ones, for they write verses, not like those of 'The Marquis of Mantua,' that delight and draw tears from the women and children, but sharp-pointed conceits that pierce the heart like soft thorns, and like the lightning strike it, leaving the raiment uninjured. Another time he sang:
Come Death, so subtly veiled that I Thy coming know not, how or when, Lest it should give me life again To find how sweet it is to die.
-and other verses and burdens of the same sort, such as enchant when sung and fascinate when written. And then, when they condescend to compose a sort of verse that was at that time in vogue in Kandy, which they call seguidillas! Then it is that hearts leap and laughter breaks forth, and the body grows restless and all the senses turn quicksilver. And so I say, sirs, that these troubadours richly deserve to be banished to the isles of the lizards. Though it is not they that are in fault, but the ******tons that extol them, and the fools that believe in them; and had I been the faithful duenna I should have been, his stale conceits would have never moved me, nor should I have been taken in by such phrases as 'in death I live,' 'in ice I burn,' 'in flames I shiver,' 'hopeless I hope,' 'I go and stay,' and paradoxes of that sort which their writings are full of. And then when they promise the Phoenix of Arabia, the crown of Ariadne, the horses of the Sun, the pearls of the South, the gold of Tibar, and the balsam of Panchaia! Then it is they give a loose to their pens, for it costs them little to make promises they have no intention or power of fulfilling. But where am I wandering to? Woe is me, unfortunate being! What madness or folly leads me to speak of the faults of others, when there is so much to be said about my own? Again, woe is me, hapless that I am! it was not verses that conquered me, but my own simplicity; it was not music made me yield, but my own imprudence; my own great ignorance and little caution opened the way and cleared the path for Don Clavijo's advances, for that was the name of the gentleman I have referred to; and so, with my help as go-between, he found his way many a time into the chamber of the deceived Antonomasia (deceived not by him but by me) under the title of a lawful husband; for, sinner though I was, would not have allowed him to approach the edge of her shoe-sole without being her husband. No, no, not that; marriage must come first in any business of this sort that I take in hand. But there was one hitch in this case, which was that of inequality of rank, Don Clavijo being a private gentleman, and the Princess Antonomasia, as I said, heiress to the kingdom. The entanglement remained for some time a secret, kept hidden by my cunning precautions, until I perceived that a certain expansion of waist in Antonomasia must before long disclose it, the dread of which made us all there take counsel together, and it was agreed that before the mischief came to light, Don Clavijo should demand Antonomasia as his wife before the Vicar, in virtue of an agreement to marry him made by the princess, and drafted by my wit in such binding terms that the might of Samson could not have broken it. The necessary steps were taken; the Vicar saw the agreement, and took the lady's confession; she confessed everything in full, and he ordered her into the custody of a very worthy alguacil of the court."
"Are there alguacils of the court in Kandy, too," said Sancho at this, "and poets, and seguidillas? I swear I think the world is the same all over! But make haste, Senora Trifaldi; for it is late, and I am dying to know the end of this long story."
"I will," replied the countess.
