Thirteen at Table We are far amidst the snow-clad mountains of Transylvania.
The scenery is magnificent. In clear weather, the plains of Hungary as far as the Rez promontory may be seen from the summit of the mountains. Groups of hills rise one above the other, covered with thick forest, which, at the period when our tale commences, had just begun to assume the first light green of spring.
Toward sunset, a slight purple mist overspread the farther pinnacles, leaving their ridges still tinged with gold. On the side of one of these hills the white turrets of an ancient family mansion gleamed from amid the trees.
Its situation was peculiarly romantic. A steep rock descended on one side, on whose pinnacle rose a ****** cross. In the depth of the valley beneath lay a scattered village, whose evening bells melodiously broke the stillness of nature.
Farther off, some broken roofs arose among the trees, from whence the sound of the mill, and the yellow-tinted stream, betrayed the miners' dwellings.
Through the meadows in the valley beneath a serpentine rivulet wound its silvery way, interrupted by numerous falls and huge blocks of stone, which had been carried down in bygone ages from the mountains during the melting of the snows.
A little path, cut in the side of the rock, ascended to the castle;while higher up, a broad road, somewhat broken by the mountain streams, conducted across the hills to more distant regions.
The castle itself was an old family mansion, which had received many additions at different periods, as the wealth or necessities of the family suggested.
It was surrounded by groups of ancient chestnut trees, and the terrace before the court was laid out in gardens, which were now filled with anemones, hyacinths, and other early flowers. Now and then the head of a joyous child appeared at the windows, which were opened to admit the evening breeze; while various members of the household retinue were seen hastening through the corridors, or standing at the doors in their embroidered liveries.
The castle was completely surrounded by a strong rail-work of iron, the stone pillars were overgrown by the evergreen leaves of the gobea and epomoea.
It was the early spring of 1848.
A party, consisting of thirteen persons, had assembled in the dining-room. They were all members of one family, and all bore the name of Bardy.
At the head of the board sat the grandmother, an old lady of eighty years of age, whose snow-white hair was dressed according to the fashion of her times beneath her high white cap. Her face was pale and much wrinkled, and the eyes turned constantly upwards, as is the case with persons who have lost their sight. Her hand and voice trembled with age, and there was something peculiarly striking in the thick snow-white eyebrows.
On her right hand sat her eldest son, Thomas Bardy, a man of between fifty and sixty. With a haughty and commanding countenance, penetrating glance, lofty figure, and noble mien, he was a true type of that ancient aristocracy which is now beginning to die out.
Opposite to him, at the old lady's left hand, sat the darling of the family--a lovely girl of about fifteen. Her golden hair fell in luxuriant tresses round a countenance of singular beauty and sweetness. The large and lustrous deep-blue eyes were shaded by long dark lashes, and her complexion was pale as the lily, excepting when she smiled or spoke, and a slight flush like the dawn of morning overspread her cheeks.
Jolanka was the orphan child of a distant relative, whom the Bardys had adopted. They could not allow one who bore their name to suffer want; and it seemed as if each member of the family had united to heap affection and endearment on the orphan girl, and thus prevented her from feeling herself a stranger among them.
There were still two other female members of the family: Katalin, the old lady's daughter, who had been for many years a widow; and the wife of one of her sons, a pretty young woman, who was trying to teach a little prattler at her side to use the golden spoon which she had placed in his small, fat hand, while he laughed and crowed, and the family did their best to guess what he said, or what he most preferred.
Opposite to them there sat two gentlemen. One of them was the husband of the young mother. Jozsef Bardy--a handsome man of about thirty-five, with regular features, and black hair and beard; a constant smile beamed on his gay countenance, while he playfully addressed his little son and gentle wife across the table. The other was his brother, Barnabas--a man of herculean form and strength. His face was marked by smallpox; he wore neither beard or mustache, and his hair was combed smoothly back, like a peasant's. His disposition was melancholy and taciturn; but he seemed constantly striving to atone, by the amiability of his manners, for an unprepossessing exterior.
Next to him sat a little cripple, whose pale countenance bore that expression of suffering sweetness so peculiar to the deformed, while his lank hair, bony hands, and misshapen shoulders awakened the beholder's pity. He, too, was an orphan--a grandchild of the old lady's; his parents had died some years before.
Two little boys of about five years old sat opposite to him. They were dressed alike, and the resemblance between them was so striking that they were constantly mistaken. They were twin-children of the young couple.
At the lower end of the table sat Imre Bardy, a young man of twenty, whose handsome countenance was full of life and intelligence, his figure manly and graceful, and his manner courteous and agreeable. A slight moustache was beginning to shade his upper lip, and his dark hair fell in natural ringlets around his head. He was the only son of the majoresco, Tamas Bardy, and resembled him much in form and feature.
Beside him sat an old gentleman, with white hair and ruddy complexion. This was Simon Bardy, an ancient relative, who had grown old with the grandmother of the family.
