Nathan, in his timid halting way, stepped from behind Richard, and taking her welcoming hand, told her how much he had wanted to know her, since he had seen the picture she had painted, then hanging in Miss Lavinia's home; both because it was the work of a woman and because too--and he looked straight into her eyes when he said it and meant every word--she was the sister of the poor fellow who had been so shamefully treated in his own city. And Margaret, her voice breaking, answered that, but for the aid of such kind friends as himself and Oliver, John might never have come back, adding, how grateful she and her whole family had been for the kindness shown her brother.
While they were talking, Richard, with a slight bow as if to ask her permission, began ****** the tour of the room, his glasses held to his eyes, examining each thing about him with the air of a connoisseur suddenly ushered into a new collection of curios.
"Tell me who this sketch is by," he asked, stopping before Margaret, and pointing to a small Lambinet, glowing like an opal on the dull-green wall of the studio. "I so seldom see good pictures that a gem like this is a delight. By a Frenchman! Ah! Yes, I see the subtlety of coloring. Marvellous people, these Frenchmen. And this little jewel you have here? This bit of mezzo in color. With this I am more familiar, for we have a good many collections of old prints at home. It is, I think--yes--I thought I could not be mistaken--it is a Morland," and he examined it closely, his nose almost touching the glass.
The next instant he had crossed the room to the window looking out over the city, the smoke and steam of a thousand fires floating over its wide expanse.
"Come here, my son," he called to Oliver. "Look over that stretch of energy and brains. Is it not inspiring? And that band of silver, moving so quietly and resistlessly out to sea. What a power for good it all is, and what a story it will tell before the century is out."
Margaret was by his side as he spoke. She had hardly taken her eyes from him since he entered the room--not even when she was listening to Nathan.
All her old-time, prejudices and preconceived estimates of Richard were slipping away. Was this the man whom she used to think of as a dreamer of dreams, and a shiftless Southerner? This charming old gentleman with the air of an aristocrat and the keen discernment of an expert? She could hardly believe her eyes.
As for Oliver, his very heart was bursting with pride. It had all happened exactly as he had wanted it--his father and Margaret had liked each other from the very first moment. And then she had been so beautiful, too, even in her long painting-apron and her hair twisted up in a coil on her head.
And the little blush of surprise and sweetness which had overspread her face when they entered, and which his father must have seen, and the inimitable grace with which she slipped from her high stool, and with a half courtesy held out her hand to welcome her visitors, and all with the savoir faire and charm of a woman of the world! How it all went straight to his heart.
If, however, he had ever thought her pretty in this working-costume, he thought her all the more captivating a few minutes later in the little French jacket --all pockets and buttons--which she had put on as soon as the greetings were over and the tour of the room had been made in answer to Richard's delighted questions.
But it was in serving the luncheon, which Mrs.
Mulligan had brought in, that his sweetheart was most enchanting. Her full-rounded figure moved so gracefully when she bent across to hand someone a cup, and the pose of the head was so delicious, and it was all so bewitching, and so precisely satisfied his artistic sense. And he so loved to hear her talk when she was the centre of a group like this, as much really to see the movement of her lips and the light in her eyes and the gracious way in which she moved her head as to hear what she said.
He was indeed so overflowing with happiness over it all, and she was so enchanting in his eyes as she sat there dispensing the comforts of the silver tray, that he must needs pop out of the room with some impromptu excuse and disappear into the little den which held her desk, that he might dash off a note which he tucked under her writing-pad--one of their hiding-places--and which bore the lines: "You were never so much my queen as you are to-day, dearest," and which she found later and covered with kisses before he was half way down the block on his way back to the hotel with the two old gentlemen.
She was indeed beautiful. The brow was wider and whiter, perhaps, than it had been in the old days under the bark slant, and the look out of the eyes a trifle softer, and with a certain tenderness in them--not quite so defiant and fearless; but there had been no other changes. Certainly none in the gold-brown hair that Oliver so loved. That was still her glory, and was still heaped up in magnificent masses, and with the same look about it of being ready to burst its bonds and flood everything with a river of gold.
"Lots of good news to-day, Madge," Oliver exclaimed, after they had all taken their seats, his father on Margaret's right, with Nathan next.
"Yes, and I have got lots of good news too; bushels of it," laughed Margaret.
"You tell me first," cried Oliver bending toward her, his face beaming; each day they exchanged the minutest occurrences of their lives.
"No--Ollie--Let me hear yours. What's it about? Mine's about a picture."
"So's mine," exclaimed Olive; his eyes brimming with fun and the joy of the surprise he had in store for her.
"But it's about one of your OWN pictures, Ollie."
"So's mine," he cried again, his voice rising in merriment.
"Oh, Ollie, tell me first," pleaded Margaret with a tone in her voice of such coaxing sweetness that only Richard's and Nathan's presence restrained him from catching her up in his arms and kissing her then and there.
"No, not until you have told me yours," he answered with mock firmness. "Mine came in a letter."
"So did mine," cried Margaret clapping her hands.
