What is this man to do in later life? Are you to cast him off like an old hinge, or a piece of useless machinery, which has done its work? To a person who had contributed to our amusement, this would be unkind, ungrateful, and unchristian. His wants are not of his own ******, but arise from the natural sources of sickness and old age. It cannot be denied that there is one class of sufferers to whom no imprudence can be ascribed, except on first entering on the profession. After putting his hand to the dramatic plough, he cannot draw back, but must continue at it, and toil, till death release him from want, or charity, by its milder influence, steps in to render that want more tolerable. He had little more to say, except that he sincerely hoped that the collection to-day, from the number of respectable gentlemen present, would meet the views entertained by the patrons. He hoped it would do so. They should not be disheartened. Though they could not do a great deal, they might do something. They had this consolation, that everything they parted with from their superfluity would do some good. They would sleep the better themselves when they had been the means of giving sleep to others. It was ungrateful and unkind that those who had sacrificed their youth to our amusement should not receive the reward due to them, but should be reduced to hard fare in their old age. We cannot think of poor Falstaff going to bed without his cup of sack, or Macbeth fed on bones as marrowless as those of Banquo. (Loud cheers and laughter.) As he believed that they were all as fond of the dramatic art as he was in his younger days, he would propose that they should drink "The Theatrical Fund," with three times three.
Mr. MACKAY rose, on behalf of his brethren, to return their thanks for the toast just drunk. Many of the gentlemen present, he said, were perhaps not fully acquainted with the nature and intention of the institution, and it might not be amiss to enter into some explanation on the subject. With whomsoever the idea of a Theatrical Fund might have originated (and it had been disputed by the surviving relatives of two or three individuals), certain it was that the first legally constituted Theatrical Fund owed its origin to one of the brightest ornaments of the profession, the late David Garrick. That eminent actor conceived that, by a weekly subscription in the theatre, a fund might be raised among its members, from which a portion might be given to those of his less fortunate brethren, and thus an opportunity would be offered for prudence to provide what fortune had denied --a comfortable provision for the winter of life. With the welfare of his profession constantly at heart, the zeal with which he laboured to uphold its respectability, and to impress upon the minds or his brethren, not only the necessity, but the blessing of independence, the Fund became his peculiar care. He drew up a form of laws for its government, procured at his own expense the passing of an Act of Parliament for its confirmation, bequeathed to it a handsome legacy, and thus became the father of the Drury Lane Fund. So constant was his attachment to this infant establishment, that he chose to grace the close of the brightest theatrical life on record by the last display of his transcendent talent on the occasion of a benefit for this child of his adoption, which ever since has gone by the name of the Garrick Fund. In imitation of his noble example, funds had been established in several provincial theatres in England; but it remained for Mrs. Henry Siddons and Mr. William Murray to become the founders of the first Theatrical Fund in Scotland. (Cheers.)
This Fund commenced under the most favourable auspices. It was liberally supported by the management, and highly patronized by the public. Notwithstanding, it fell short in the accomplishment of its intentions. What those intentions were, he (Mr. Mackay) need not recapitulate, but they failed; and he did not hesitate to confess that a want of energy on the part of the performers was the probable cause. A new set of Rules and Regulations were lately drawn up, submitted to and approved of at a general meeting of the members of the Theatre, and accordingly the Fund was remodelled on the 1st of January last. And here he thought he did but echo the feelings of his brethren, by publicly acknowledging the obligations they were under to the management for the aid given and the warm interest they had all along taken in the welfare of the Fund. (Cheers.) The nature and object of the profession had been so well treated of by the President that he would say nothing; but of the numerous offspring of science and genius that court precarious fame, the actor boasts the slenderest claim of all--the sport of fortune, the creatures of fashion, and the victims of caprice, they are seen, heard, and admired, but to be forgot. They leave no trace, no memorial of their existence--they "come like shadows, so depart." (Cheers.)
