THERE was a demonstration of the unequalled facilities of a European railway carriage for rendering unpleasant things almost intolerable. These people could find no way to alleviate the poignancy of their position. Coleman did not know where to look.
Every personal mannerism becomes accentuated in a European railway carriage. If you glance at a man, your glance defines itself as a stare. If you carefully look at nothing, you create for yourself a resemblance to all wooden-headed things. A newspaper is, then, in the nature of a preservative, and Coleman longed for a newspaper.
It was this abominable railway carriage which exacted the first display of agitation from Marjory.
She flushed rosily, and her eyes wavered over the cornpartment. Nora Black laughed in a way that was a shock to the nerves. Coke seemed very angry, indeed, and Peter Tounley was in pitiful distress.
Everything was acutely, painfully vivid, bald, painted as glaringly as a grocer's new wagon. It fulfilled those traditions which the artists deplore when they use their pet phrase on a picture, "It hurts." The damnable power of accentuation of the European railway carriage seemed, to Coleman's amazed mind, to be redoubled and redoubled.
It was Peter Tounley who seemed to be in the greatest agony. He looked at the correspondent beseechingly and said: "It's a very cold morning, Coleman."This was an actual appeal in the name of humanity.
Coleman came squarely. to the front and even grinned a little at poor Peter Tounley's misery.
"Yes, it is a cold morning, Peter. I should say it to one of the coldest mornings in my recollection."Peter Tounley had not intended a typical American emphasis on the polar conditions which obtained in the compartment at this time, but Coleman had given the word this meaning. Spontaneously every body smiled, and at once the tension was relieved.
But of course the satanic powers of the railway carriage could not be altogether set at naught. Of course it fell to the lot of Coke to get the seat directly in front of Coleman, and thus, face to face, they were doomed to stare at each other.
Peter Tounley was inspired to begin conventional babble, in which he took great care to make an appear.
ance of talking to all in the carriage. " Funny thing I never knew these mornings in Greece were so cold.
I thought the climate here was quite tropical. It must have been inconvenient in the ancient times, when, I am told, people didn't wear near so many-er-clothes. Really, I don't see how they stood it.
For my part, I would like nothing so much as a buffalo robe. I suppose when those great sculptors were doing their masterpieces, they had to wear gloves.
Ever think of that? Funny, isn't it? Aren't you cold, Marjory ? I am. jingo! Imagine the Spartans in ulsters, going out to meet an enemy in cape-overcoats, and being desired by their mothers to return with their ulsters or wrapped in them."It was rather hard work for Peter Tounley. Both Marjory and Coleman tried to display an interest in his labours, and they laughed not at what he said, but because they believed it assisted him. The little train, meanwhile, wandered up a great green slope, and the day rapidly coloured the land.
At first Nora Black did not display a militant mood, but as time passed Coleman saw clearly that she was considering the advisability of a new attack. She had Coleman and Marjory in conjunction and where they were unable to escape from her. The opportunities were great. To Coleman, she seemed to be gloating over the possibilities of ****** more mischief. She was looking at him speculatively, as if considering the best place to hit him first. Presently she drawled :
" Rufus, I wish you would fix my rug about me a little better." Coleman saw that this was a beginning.
Peter Tounley sprang to his feet with speed and en-thusiasm. " Oh, let me do it for you." He had her well muffled in the rug before she could protest, even if a protest had been rational. The young man had no idea of defending Coleman. He had no knowledge of the necessity for it. It had been merely the exercise of his habit of amiability, his chronic desire to see everybody comfortable. His passion in this direction was well known in Washurst, where the students had borrowed a phrase from the photographers in order to describe him fully in a nickname. They called him " Look-pleasant Tounley." This did not in any way antagonise his perfect willingness to fight on occasions with a singular desperation, which usually has a small stool in every mind where good nature has a throne.
" Oh, thank you very much, Mr. Tounley," said Nora Black, without gratitude. " Rufus is always so lax in these matters.""I don't know how you know it," said Coleman boldly, and he looked her fearlessly in the eye. The battle had begun.
" Oh," responded Nora, airily, " I have had opportunity enough to know it, I should think, by this time."" No," said Coleman, " since I have never paid you particular and direct attention, you cannot possibly know what I am lax in and what I am not lax in. Iwould be obliged to be of service at any time, Nora, but surely you do not consider that you have a right to my services superior to any other right."Nora Black simply went mad, but fortunately part of her madness was in the form of speechlessness.
Otherwise there might have been heard something approaching to billingsgate.
Marjory and Peter Tounley turned first hot and then cold, and looked as if they wanted to fly away; and even Coke, penned helplessly in with this unpleasant incident, seemed to have a sudden attack of distress.
The only frigid person was Coleman. He had made his declaration of independence, and he saw with glee that the victory was complete. Nora Black might storm and rage, but he had announced his position in an unconventional blunt way which nobody in the carriage could fail to understand. He felt somewhat like smiling with confidence and defiance in Nora's face, but he still had the fear for Marjory.
Unexpectedly, the fight was all out of Nora Black.
