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第53章 第三册(20)

"Yes," explained the mother Lyre-bird. "They have a pinky colour, so they must have a pinky taste.""The slug soup was very nice, too," went on Mrs. Lyre-bird, who was always glad of a chance to talk cookery and housekeeping while her husband was busy dancing and singing. "I flavour my slug soup with a sprig of wormwood. The third dish was baked land-crabs. We know their big water-nest down by the river bank, so we never go short.""How do you cook your white wattle-grubs?"asked the Black Cockatoo, who always thought about wattle-grubs- big fat ones-when anyone talked of nice things to eat.

"I bake them on the mountain ash," explained Mother Lyre-bird. "It brings out that nice, nutty taste.""I can hear some of them boring away now," remarked the Black Cockatoo, "in that tree just over your head;" and he cocked his head sideways to listen, and licked his beak with his round black tongue. "I"ll dosome bark stripping there to- morrow and send you over a beakful for lunch.""Oh, thanks," said the hen Lyre-bird. "I often wish that I had a beak as large and hard and sharp as yours. It"s so handy for grubbing, you know."At the other end of the log, another hen Lyre-bird was chatting away with the Wombat, who had a funny way of grunting between words.

Drawn by John Rowell

The Concert

"How is the new-umph-chick coming on?" he asked.

"Oh, very well indeed," said Mrs. Lyre-bird. "His pin- feathers are cutting through nicely, and his brown down baby coat is getting much too small for him.""You ought to have his-umph-voice trained," suggested the Wombat. "He seems to be-umph- breaking it up now and bringing it out in-umph- pieces.""He has his father"s voice," said the hen Lyre- bird, "but takes after me in wattle-grubs. Have you noticed how many soft-shelled beetles are about this year-we had some in a stew yesterday.""Here are the artists," broke in the Kangaroo;"and, if you can"t be quite still, just be as still as you can. You may use one ear for conversation and keep the other for the concert. Our first number is "The Rose and Grey Ballet-by the Gay Galahs."They came on in a flight, always changing colour. All their backs were grey and their breasts rose, so one moment it was all rose like the Aurora lights after sunset; then, as they wheeled on the wing, all grey like a cloudy sky; and it went on changing, first rose, then grey. And, underneath, a band of Native Companions,who wore grey, too, with little red rosettes on the side of their heads, kept leaping and ducking and hopping in such a funny way that it made all the children laugh, though they stopped laughing, of course, to cheer the Galahs.

"The next item," said the Kangaroo, "is an imitation of a crosscut saw, by Peter Lyre-bird." It was a very good imitation, too, but not so nice as the ballet, of course.

"And now," said the Kangaroo, "we shall see the Dell Dance by the Lyre-bird Troupe."They glided into the glade, each with long tail spread like a fan over its back and head, and the two beautiful brown and grey feathers at either end looked like the ribs of a fan. Each ran to its own dancing mound, and circled and swung so lightly, so daintily, that they looked more like winged wood nymphs than real birds. And while they danced they sang-Here we go round and round and round, With not a sound on the camping ground. We"re always found on our dancing moundOn a Thursday after-morning.

"It should be Thursday afternoon," explained the Kangaroo; "but, when you write songs, you have to cut the lines into even lengths and afternoon was too shortto fit."

Miss Flapper Lyre-bird was next with an imitation of a Boobook call, but she was nervous, and, besides, the Boobook was so far away that you could only hear the boo and not the book.

The children were almost as much pleased with the bird as with the note when the Coachwhip-bird gave his imitation of whip cracking, which was called the "Crack- a-jack" in the program. The Whip-bird likes to hide in the bushes, and is more often heard than seen, so that they were all glad of a good view of his greeny black coat, his big fan-tail, his fine crest, and his white collar. "Tu- tu-tu-whish" he called, and his mate after a little while answered "Tu-tue!" which in bird talk means "I"m here." But the best of all, perhaps, was the Mockery Melody by the Lyre-bird Choir. Every bird in the forest seemed to be singing together, louder than but just as sweetly as they always sing, and in between the singing part the Crow cawed, the Kookaburra laughed, the Coachwhip cracked, the Gang Gang creaked, the bark flapped, the axe chopped, and the saw cut.

"It"s more than clever, it"s wonderful," said the Town Boy, "the most wonderful thing in the world. I"m so glad we know them, so that we may come and hearthem sometimes."

But the concert was over now, for the Kangaroo had put up a card with "Finis" written on it.

"That"s a funny way to spell finish," said the Bush Boy, "but maybe he just let the h drop off the end and didn"t miss it."From At the End of the Moonpath, by Donald MaCdonald.

About the Author.-See notes to "A Bird"s Devotion."About the Story.-How can you tell this story is not a black- fellow"s legend? How does one get to Blue Range? What was the "green plush"? What do you learn about the habits of birds from this "fairy" story?

Lesson 36

THE GIFT OF SONG

Once a Spirit of the hills,

Where the gum-trees glisten, Met the lyre-birds at their play,Stopped to look and listen. For their pretty minuet,With its airy graces,

Seemed to match the lights that dance In such leafy places.

Then the kindly Spirit spoke, Like a mountain mother,"To the gift you now possess I shall add another.

Every song and every sound Heard by range or river,You shall be its mocking bird, Echoing for ever. "So the Spirit waved its wand, Just as fairies do it,And the gift of song was theirs, Every dancer knew it.

If you doubt or disbelieve By a single feather,Come, and you may hear and see Song and dance together.

From At the End of the Moonpath, by Donald MaCdonald.

About the Author.-See preceding lesson.

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