“Twelve，” she said， and little later “eleven”； and then “ten，” and “nine”； and then “eight” and “seven”， almost together.
Sue look solicitously out of the window. What was there to count？ There was only a bare， dreary yard to be seen， and the blank side of the brick house twenty feet away. An old， old ivy vine， gnarled and decayed at the roots， climbed half way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung， almost bare， to the crumbling bricks.
“What is it， dear？” asked Sue.
“Six，” said Johnsy， in almost a whisper. “They’re falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it’s easy. There goes another one. There are only five left now.”
“Five what， dear？ Tell your Sudie.”
“Leaves. On the ivy vine. When the last one falls I must go， too. I’ve known that for three days. Didn’t the doctor tell you？”
“Oh， I never heard of such nonsense，” complained Sue， with magnificent scorn. “What have old ivy leaves to do with your getting well？ And you used to love that vine so， you naughty girl. Don’t be a goosey. Why， the doctor told me this morning that your chances for getting well real soon were—let’s see exactly what he said—he said the chances were ten to one！ Why， that’s almost as good a chance as we have in New York when we ride on the street cars or walk past a new building. Try to take some broth now， and let Sudie go back to her drawing， so she can sell the editor man with it， and buy port wine for her sick child， and pork chops for her greedy self.”
“You needn’t get any more wine，” said Johnsy， keeping her eyes fixed out the window. “There goes another. No， I don’t want any broth. Thatleaves just four. I want to see the last one fall before it gets dark. Then I’ll go， too.”
“Johnsy， dear，” said Sue， bending over her， “will you promise me to keep your eyes closed， and not look out the window until I am done working？ I must hand those drawings in by to-morrow. I need the light， or I would draw the shade down.”
“Couldn’t you draw in the other room？” asked Johnsy， coldly.
“I’d rather be here by you，” said Sue. “Beside， I don’t want you to keep looking at those silly ivy leaves.”
“Tell me as soon as you have finished，” said Johnsy， closing her eyes， and lying white and still as fallen statue， “because I want to see the last one fall. I’m tired of waiting. I’m tired of thinking. I want to turn loose my hold on everything， and go sailing down， down， just like one of those poor， tired leaves.”
“Try to sleep，” said Sue. “I must call Behrman up to be my model for the old hermit miner. I’ll not be gone a minute. Don’t try to move ‘til I come back.”
Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo’s Moses beard curling down from the head of a satyr along with the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress’s robe. He had been always about to paint a masterpiece， but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess， and still talked of his coming masterpiece. For the rest he was a fierce little old man， who scoffed terribly at softness in any one， and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above.
Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel thathad been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy’s fancy， and how she feared she would， indeed， light and fragile as a leaf herself， float away， when her slight hold upon the world grew weaker.
Old Behrman， with his red eyes plainly streaming， shouted his contempt and derision for such idiotic imaginings.
“Vass！” he cried. “Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine？ I haf not heard of such a thing. No， I will not bose as a model for your fool hermit- dunderhead. Vy do you allow dot silly pusiness to come in der brain of her？ Ach， dot poor leetle Miss Yohnsy.”
“She is very ill and weak，” said Sue， “and the fever has left her mind morbid and full of strange fancies. Very well， Mr. Behrman， if you do not care to pose for me， you needn’t. But I think you are a horrid old— old flibbertigibbet.”
“You are just like a woman！” yelled Behrman. “Who said I will not bose？ Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott！ dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece， and ve shall all go away. Gott！ yes.”
Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill， and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent， cold rain was falling， mingled with snow. Behrman， in his old blue shirt， took his seat as the hermit miner on an upturned kettle for a rock.
When Sue awoke from an hour’s sleep the next morning she found Johnsy with dull， wide-open eyes staring at the drawn green shade.
“Pull it up； I want to see，” she ordered， in a whisper. Wearily Sue obeyed.
But， lo！ after the beating rain and fierce gusts of wind that had endured through the livelong night， there yet stood out against the brick wall oneivy leaf. It was the last one on the vine. Still dark green near its stem， with its serrated edges tinted with the yellow of dissolution and decay， it hung bravely from the branch some twenty feet above the ground.
“It is the last one，” said Johnsy. “I thought it would surely fall during the night. I heard the wind. It will fall to-day， and I shall die at the same time.”
