The confession of her love, which she believed was returned, the wrong done by her to her cavalier, and the experience of an unknown pleasure, emboldened the fair Marie, who fell into a platonic love, gently tempered with those little indulgences in which there is no danger. From this cause sprang the diabolical pleasures of the game invented by the ladies, who since the death of Francis the First feared the contagion, but wished to gratify their lovers. To these cruel delights, in order to properly play his part, Lavalliere could not refuse his sanction. Thus every evening the mournful Marie would attach her guest to her petticoats, holding his hand, kissing him with burning glances, her cheek placed gently against his, and during this virtuous embrace, in which the knight was held like the devil by a holy water brush, she told him of her great love, which was boundless since it stretched through the infinite spaces of unsatisfied desire.
All the fire with which the ladies endow their substantial amours, when the night has no other lights than their eyes, she transferred into the mystic motions of her head, the exultations of her soul, and the ecstasies of her heart. Then, naturally, and with the delicious joy of two angels united by thought alone, they intoned together those sweet litanies repeated by the lovers of the period in honour of love--anthems which the abbot of Theleme has paragraphically saved from oblivion by engraving them on the walls of his Abbey, situated, according to master Alcofribas, in our land of Chinon, where I have seen them in Latin, and have translated them for the benefit of Christians.
"Alas!" said Marie d'Annebaut, "thou art my strength and my life, my joy and my treasure."
"And you," replied he "you are a pearl, an angel."
"Thou art my seraphim."
"You my soul."
"Thou my God."
"You my evening star and morning star, my honour, my beauty, my universe."
"Thou my great my divine master."
"You my glory, my faith, my religion."
"Thou my gentle one, my handsome one, my courageous one, my dear one, my cavalier, my defender, my king, my love. "
"You my fairy, the flower of my days, the dream of my nights."
"Thou my thought at every moment."
"You the delights of my eyes."
"Thou the voice of my soul."
"You my light by day."
"Thou my glimmer in the night."
"You the best beloved among women."
"Thou the most adored of men."
"You my blood, a myself better than myself."
"Thou art my heart, my lustre."
"You my saint, my only joy."
"I yield thee the palm of love, and how great so'er mine be, I believe thou lovest me still more, for thou art the lord."
"No; the palm is yours, my goddess, my Virgin Marie."
"No; I am thy servant, thine handmaiden, a nothing thou canst crush to atoms."
"No, no! it is I who am your slave, your faithful page, whom you see as a breath of air, upon whom you can walk as on a carpet. My heart is your throne."
"No, dearest, for thy voice transfigures me."
"Your regard burns me."
"I see but thee."
"I love but you."
"Oh! put thine hand upon my heart--only thine hand--and thou will see me pale, when my blood shall have taken the heat of thine."
Then during these struggles their eyes, already ardent, flamed still more brightly, and the good knight was a little the accomplice of the pleasure which Marie d'Annebaut took in feeling his hand upon her heart. Now, as in this light embrace all their strength was put forth, all their desires strained, all their ideas of the thing concentrated, it happened that the knight's transport reached a climax. Their eyes wept warm tears, they seized each other hard and fast as fire seizes houses; but that was all. Lavalliere had promised to return safe and sound to his friend the body only, not the heart.
When Maille announced his return, it was quite time, since no virtue could avoid melting upon this gridiron; and the less licence the lovers had, the more pleasure they had in their fantasies.
Leaving Marie d'Annebaut, the good companion in arms went as far as Bondy to meet his friend, to help him to pass through the forest without accident, and the two brothers slept together, according to the ancient custom, in the village of Bondy.
There, in their bed, they recounted to each other, one of the adventures of his journey, the other the gossip of the camp, stories of gallantry, and the rest. But Maille's first question was touching Marie d'Annebaut, whom Lavalliere swore to be intact in that precious place where the honour of husbands is lodged; at which the amorous Maille was highly delighted.
On the morrow, they were all three re-united, to the great disgust of Marie, who, with the high jurisprudence of women, made a great fuss with her good husband, but with her finger she indicated her heart in an artless manner to Lavalliere, as one who said, "This is thine!"
At supper Lavalliere announced his departure for the wars. Maille was much grieved at this resolution, and wished to accompany his brother; that Lavalliere refused him point blank.
"Madame," said he to Marie d'Annebaut, "I love you more than life, but not more than honour."
He turned pale saying this, and Madame de Maille blanched hearing him, because never in their amorous dalliance had there been so much true love as in this speech. Maille insisted on keeping his friend company as far as Meaux. When he came back he was talking over with his wife the unknown reasons and secret causes of this departure, when Marie, who suspected the grief of poor Lavalliere said, "I know: he is ashamed to stop here because he has the Neapolitan sickness."
"He!" said Maille, quite astonished. "I saw him when we were in bed together at Bondy the other evening, and yesterday at Meaux. There's nothing the matter with him; he is as sound as a bell."
The lady burst into tears, admiring this great loyalty, the sublime resignation to his oath, and the extreme sufferings of this internal passion. But as she still kept her love in the recesses of her heart, she died when Lavalliere fell before Metz, as has been elsewhere related by Messire Bourdeilles de Brantome in his tittle-tattle.
