We are amphibious creatures, weaponed for two elements, having two sets of faculties, the particular and the catholic. We adjust our instrument for general observation, and sweep the heavens as easily as we pick out a single figure in the terrestrial landscape.
We are practically skilful in detecting elements, for which we have no place in our theory, and no name. Thus we are very sensible of an atmospheric influence in men and in bodies of men, not accounted for in an arithmetical addition of all their measurable properties.
There is a genius of a nation, which is not to be found in the numerical citizens, but which characterizes the society. England, strong, punctual, practical, well-spoken England, I should not find, if I should go to the island to seek it. In the parliament, in the playhouse, at dinner-tables, I might see a great number of rich, ignorant, book-read, conventional, proud men, -- many old women, -- and not anywhere the Englishman who made the good speeches, combined the accurate engines, and did the bold and nervous deeds. It is even worse in America, where, from the intellectual quickness of the race, the genius of the country is more splendid in its promise, and more slight in its performance. Webster cannot do the work of Webster.
We conceive distinctly enough the French, the Spanish, the German genius, and it is not the less real, that perhaps we should not meet in either of those nations, a single individual who corresponded with the type. We infer the spirit of the nation in great measure from the language, which is a sort of monument, to which each forcible individual in a course of many hundred years has contributed a stone.
And, universally, a good example of this social force, is the veracity of language, which cannot be debauched. In any controversy concerning morals, an appeal may be made with safety to the sentiments, which the language of thonsmustfurnishe people expresses.
Proverbs, words, and grammar inflections convey the public sense with more purity and precision, than the wisest individual.
In the famous dispute with the Nominalists, the Realists had a good deal of reason. General ideas are essences. They are our gods: they round and ennoble the most partial and sordid way of living.
Our proclivity to details cannot quite degrade our life, and divest it of poetry. The day-laborer is reckoned as standing at the foot of the social scale, yet he is saturated with the laws of the world.
His measures are the hours; morning and night, solstice and equinox, geometry, astronomy, and all the lovely accidents of nature play through his mind. Money, which represents the prose of life, and which is hardly spoken of in parlors without an apology, is, in its effects and laws, as beautiful as roses. Property keeps the accounts of the world, and is always moral. The property will be found where the labor, the wisdom, and the virtue have been in nations, in classes, and (the whole life-time considered, with the compensations) in the individual also. How wise the world appears, when the laws and usages of nations are largely detailed, and the completeness of the municipal system is considered! Nothing is left out. If you go into the markets, and the custom-houses, the insurers' and notaries' offices, the offices of sealers of weights and measures, of inspection of provisions, -- it will appear as if one man had made it all. Wherever you go, a wit like your own has been before you, and has realized its thought. The Eleusinian mysteries, the Egyptian architecture, the Indian astronomy, the Greek sculpture, show that there always were seeing and knowing men in the planet. The world is full of masonic ties, of guilds, of secret and public legions of honor; that of scholars, for example; and that of gentlemen fraternizing with the upper class of every country and every culture.
I am very much struck in literature bonsmustfurnishy the appearance, that one person wrote all the books; as if the editor of a journal planted his body of reporters in different parts of the field of action, and relieved some by others from time to time; but there is such equality and identity both of judgment and point of view in the narrative, that it is plainly the work of one all-seeing, all-hearing gentleman. I looked into Pope's Odyssey yesterday: it is as correct and elegant after our canon of today, as if it were newly written. The modernness of all good books seems to give me an existence as wide as man. What is well done, I feel as if I did; what is ill-done, I reck not of. Shakspeare's passages of passion (for example, in Lear and Hamlet) are in the very dialect of the present year. I am faithful again to the whole over the members in my use of books. I find the most pleasure in reading a book in a manner least flattering to the author. I read Proclus, and sometimes Plato, as I might read a dictionary, for a mechanical help to the fancy and the imagination. I read for the lustres, as if one should use a fine picture in a chromatic experiment, for its rich colors.
'Tis not Proclus, but a piece of nature and fate that I explore. It is a greater joy to see the author's author, than himself. A higher pleasure of the same kind I found lately at a concert, where I went to hear Handel's Messiah. As the master overpowered the littleness and incapableness of the performers, and made them conductors of his electricity, so it was easy to observe what efforts nature was ****** through so many hoarse, wooden, and imperfect persons, to produce beautiful voices, fluid and soul-guided men and women. The genius of nature was paramount at the oratorio.
