This preference of the genius to the parts is the secret of that deification of art, which is found in all superior minds. Art, in the artist, is proportion, or, a habitual respect to the whole by an eye loving beauty in details. And the wonder and charm of it is the sanity in insanonsmustfurnishity which it denotes. Proportion is almost impossible to human beings. There is no one who does not exaggerate. In conversation, men are encumbered with personality, and talk too much. In modern sculpture, picture, and poetry, the beauty is miscellaneous; the artist works here and there, and at all points, adding and adding, instead of unfolding the unit of his thought. Beautiful details we must have, or no artist: but they must be means and never other. The eye must not lose sight for a moment of the purpose. Lively boys write to their ear and eye, and the cool reader finds nothing but sweet jingles in it. When they grow older, they respect the argument.
We obey the same intellectual integrity, when we study in exceptions the law of the world. Anomalous facts, as the never quite obsolete rumors of magic and demonology, and the new allegations of phrenologists and neurologists, are of ideal use. They are good indications. Homoeopathy is insignificant as an art of healing, but of great value as criticism on the hygeia or medical practice of the time. So with Mesmerism, Swedenborgism, Fourierism, and the Millennial Church; they are poor pretensions enough, but good criticism on the science, philosophy, and preaching of the day. For these abnormal insights of the adepts, ought to be normal, and things of course.
All things show us, that on every side we are very near to the best. It seems not worth while to execute with too much pains some one intellectual, or aesthetical, or civil feat, when presently the dream will scatter, and we shall burst into universal power. The reason of idleness and of crime is the deferring of our hopes.
Whilst we are waiting, we beguile the time with jokes, with sleep, with eating, and with crimes.
Thus we settle it in our cool libraries, that all the agents with which we deal are subalterns, which we can well afford to let pass, and life will be ******r when we live at the centre, and flout the surfaces. I wish onsmustfurnishto speak with all respect of persons, but sometimes I must pinch myself to keep awake, and preserve the due decorum. They melt so fast into each other, that they are like grass and trees, and it needs an effort to treat them as individuals. Though the uninspired man certainly finds persons a conveniency in household matters, the divine man does not respect them: he sees them as a rack of clouds, or a fleet of ripples which the wind drives over the surface of the water. But this is flat rebellion. Nature will not be Buddhist: she resents generalizing, and insults the philosopher in every moment with a million of fresh particulars. It is all idle talking: as much as a man is a whole, so is he also a part; and it were partial not to see it. What you say in your pompous distribution only distributes you into your class and section. You have not got rid of parts by denying them, but are the more partial. You are one thing, but nature is _one thing and the other thing_, in the same moment. She will not remain orbed in a thought, but rushes into persons; and when each person, inflamed to a fury of personality, would conquer all things to his poor crotchet, she raises up against him another person, and by many persons incarnates again a sort of whole. She will have all. Nick Bottom cannot play all the parts, work it how he may: there will be somebody else, and the world will be round. Everything must have its flower or effort at the beautiful, coarser or finer according to its stuff.
They relieve and recommend each other, and the sanity of society is a balance of a thousand insanities. She punishes abstractionists, and will only forgive an induction which is rare and casual. We like to come to a height of land and see the landscape, just as we value a general remark in conversation. But it is not the intention of nature that we should live by general views. We fetch fire and water, run about all day among the shops and markets, and get our clothes and shoes monsmustfurnishade and mended, and are the victims of these details, and once in a fortnight we arrive perhaps at a rational moment. If we were not thus infatuated, if we saw the real from hour to hour, we should not be here to write and to read, but should have been burned or frozen long ago. She would never get anything done, if she suffered admirable Crichtons, and universal geniuses. She loves better a wheelwright who dreams all night of wheels, and a groom who is part of his horse: for she is full of work, and these are her hands. As the frugal farmer takes care that his cattle shall eat down the rowan, and swine shall eat the waste of his house, and poultry shall pick the crumbs, so our economical mother despatches a new genius and habit of mind into every district and condition of existence, plants an eye wherever a new ray of light can fall, and gathering up into some man every property in the universe, establishes thousandfold occult mutual attractions among her offspring, that all this wash and waste of power may be imparted and exchanged.
Great dangers undoubtedly accrue from this incarnation and distribution of the godhead, and hence nature has her maligners, as if she were Circe; and Alphonso of Castille fancied he could have given useful advice. But she does not go unprovided; she has hellebore at the bottom of the cup. Solitude would ripen a plentiful crop of despots. The recluse thinks of men as having his manner, or as not having his manner; and as having degrees of it, more and less.
