In the "citta dolente" of spinsterhood we often meet, especially in France, with women whose lives are a sacrifice nobly and daily offered to noble sentiments. Some remain proudly faithful to a heart which death tore from them; martyrs of love, they learn the secrets of womanhood only though their souls. Others obey some family pride (which in our days, and to our shame, decreases steadily); these devote themselves to the welfare of a brother, or to orphan nephews; they are mothers while remaining virgins. Such old maids attain to the highest heroism of their *** by consecrating all feminine feelings to the help of sorrow. They idealize womanhood by renouncing the rewards of woman's destiny, accepting its pains. They live surrounded by the splendour of their devotion, and men respectfully bow the head before their faded features. Mademoiselle de Sombreuil was neither wife nor maid; she was and ever will be a living poem. Mademoiselle Salomon de Villenoix belonged to the race of these heroic beings. Her devotion was religiously sublime, inasmuch as it won her no glory after being, for years, a daily agony. Beautiful and young, she loved and was beloved; her lover lost his reason. For five years she gave herself, with love's devotion, to the mere mechanical well-being of that unhappy man, whose madness she so penetrated that she never believed him mad. She was ****** in manner, frank in speech, and her pallid face was not lacking in strength and character, though its features were regular. She never spoke of the events of her life. But at times a sudden quiver passed over her as she listened to the story of some sad or dreadful incident, thus betraying the emotions that great sufferings had developed within her. She had come to live at Tours after losing the companion of her life; but she was not appreciated there at her true value and was thought to be merely an amiable woman.
She did much good, and attached herself, by preference, to feeble beings. For that reason the poor vicar had naturally inspired her with a deep interest.
Mademoiselle de Villenoix, who returned to Tours the next morning, took Birotteau with her and set him down on the quay of the cathedral leaving him to make his own way to the Cloister, where he was bent on going, to save at least the canonry and to superintend the removal of his furniture. He rang, not without violent palpitations of the heart, at the door of the house whither, for fourteen years, he had come daily, and where he had lived blissfully, and from which he was now exiled forever, after dreaming that he should die there in peace like his friend Chapeloud. Marianne was surprised at the vicar's visit. He told her that he had come to see the Abbe Troubert, and turned towards the ground-floor apartment where the canon lived; but Marianne called to him:--
"Not there, monsieur le vicaire; the Abbe Troubert is in your old apartment."
These words gave the vicar a frightful shock. He was forced to comprehend both Troubert's character and the depths of the revenge so slowly brought about when he found the canon settled in Chapeloud's library, seated in Chapeloud's handsome armchair, sleeping, no doubt, in Chapeloud's bed, and disinheriting at last the friend of Chapeloud, the man who, for so many years, had confined him to Mademoiselle Gamard's house, by preventing his advancement in the church, and closing the best salons in Tours against him. By what magic wand had the present transformation taken place? Surely these things belonged to Birotteau? And yet, observing the sardonic air with which Troubert glanced at that bookcase, the poor abbe knew that the future vicar- general felt certain of possessing the spoils of those he had so bitterly hated,--Chapeloud as an enemy, and Birotteau, in and through whom Chapeloud still thwarted him. Ideas rose in the heart of the poor man at the sight, and plunged him into a sort of vision. He stood motionless, as though fascinated by Troubert's eyes which fixed themselves upon him.
"I do not suppose, monsieur," said Birotteau at last, "that you intend to deprive me of the things that belong to me. Mademoiselle may have been impatient to give you better lodgings, but she ought to have been sufficiently just to give me time to pack my books and remove my furniture."
"Monsieur," said the Abbe Troubert, coldly, not permitting any sign of emotion to appear on his face, "Mademoiselle Gamard told me yesterday of your departure, the cause of which is still unknown to me. If she installed me here at once, it was from necessity. The Abbe Poirel has taken my apartment. I do not know if the furniture and things that are in these rooms belong to you or to Mademoiselle; but if they are yours, you know her scrupulous honesty; the sanctity of her life is the guarantee of her rectitude. As for me, you are well aware of my ****** modes of living. I have slept for fifteen years in a bare room without complaining of the dampness,--which, eventually will have caused my death. Nevertheless, if you wish to return to this apartment I will cede it to you willingly."
After hearing these terrible words, Birotteau forgot the canonry and ran downstairs as quickly as a young man to find Mademoiselle Gamard.
He met her at the foot of the staircase, on the broad, tiled landing which united the two wings of the house.
"Mademoiselle," he said, bowing to her without paying any attention to the bitter and derisive smile that was on her lips, nor to the extraordinary flame in her eyes which made them lucent as a tiger's, "I cannot understand how it is that you have not waited until I removed my furniture before--"
"What!" she said, interrupting him, "is it possible that your things have not been left at Madame de Listomere's?"
"But my furniture?"
"Haven't you read your deed?" said the old maid, in a tone which would have to be rendered in music before the shades of meaning that hatred is able to put into the accent of every word could be fully shown.
